Adelita Husni-Bey is an artist and pedagogue invested in anarcho-collectivism, theater, and legal anthropology. She organizes workshops and produces artworks using non-competitive pedagogical models through the framework of contemporary art. Involving activists, architects, jurists, schoolchildren, spoken-word poets, actors, urbanists, physical therapists, students, and teachers, her work consists of making sites in which to practice and benefit materially collectively. She was part of the Italian pavilion at the 57th Venice Biennale, Venice, 2017. She has participated in Matter of Art - Biennale of Art Prague, 2024; To Carry, Sharjah Art Biennale, 2024; Care Ecologies, State of Concept, Athens, 2024, Quizá Mañana, XVI edition of the Cuenca Biennial, 2023, New Photography, Museum of Modern Art, New York, 2018; The Eighth Climate, 11th Gwangju Biennale, 2015; Really Useful Knowledge, Reina Sofia Museum, Madrid, 2014. She was a 2020-2022 Vera List Center Fellow with a project centered on the radical changes in social relations brought about by responses to past and current pandemics. For the Sharjah Biennale 2025 she produced a film installation centered on water extraction, infrastructure, techno-fetishist forecasting and ‘adaptability’ in collaboration with researcher Shehrazade Mahassini.